<\/p>\n
On August 17, the Fundaci\u00f3n Gonzalo Rodr\u00edguez together with Luciano Supervielle and students from the Youth and Children Orchestra System of Uruguay set up an artistic intervention at the front of Sol\u00eds Theatre. This was the launch of a show to be performed by the Uruguayan musician on November 29 for the benefit of Fundaci\u00f3n Gonzalo Rodr\u00edguez.<\/p>\n
After the performance, Mar\u00eda Fernanda Rodr\u00edguez, president of the Fundaci\u00f3n, defined fundraising as “a great challenge” that the organization must face in order to finance “Child Road Safety campaigns, actions and trainings.”<\/p>\n
Luciano Supervielle will present his Piano and Electronic Concert at the Teatro Sol\u00eds on November 29 for the benefit of Fundaci\u00f3n Gonzalo Rodr\u00edguez. The show, mainly focused on the repertoire of his “Suite for piano and veiled pulse”, will also include part of the material of his previous albums and those composed in Bajofondo.<\/p>\n
” Suite for piano and veiled pulse “, awarded a Graffiti for best electronic music album, brings together a collection of piano pieces that generates, through a subtle combination of electronic programming and synthesizers, a unique combination of classical piano language, music from Rio de Janeiro and new trends in electronic music.<\/p>\n
In November\u00b4s show, Supervielle will be accompanied by the visual artist Agust\u00edn Ferrando Trenchi, creator of the series “Tiranos Temblad”, who will be in charge of the visuals, and will also have the presence of Gabriel Casacuberta, composer of the soundtrack of Gonchi: la pel\u00edcula, who will play fragments of the original music.<\/p>\n
About Luciano Supervielle<\/strong><\/p>\n Luciano Supervielle is a Uruguayan musician, composer and producer. He is part of the River Plate, electronic tango music group, Bajofondo, with whom he has toured the world for over ten years.<\/p>\n He has participated in the production and arrangements of records by artists like Jorge Drexler, El Cuarteto de Nos and La Vela Puerca, among others.<\/p>\n He has also collaborated with Julio Bocca in the music design of Nocturnal Choreographic Episodes at SODRE\u00b4s National Ballet.<\/p>\n Supervielle\u00b4s music has been often used on television and cinema. The song Miles de pasajeros from his first album is part of Oliver Stone\u00b4s last film, Savages. He composed – together with Gabriel Casacuberta – the original music of El Ba\u00f1o del Papa, and also the soundtrack of Artigas: La Redota, directed by Cesar Charlone, among others.<\/p>\n About the Fundaci\u00f3n Gonzalo Rodr\u00edguez<\/strong><\/p>\n The Fundaci\u00f3n Gonzalo Rodr\u00edguez is a Non-Governmental Non-Profit Organization that promotes children and adolescents\u2019 safety in traffic, in order to help reduce the number of injured and deceased in traffic accidents in Uruguay and the region, keeping \u201cGonchi\u00b4s\u201d memory alive as a source of inspiration for our work.<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Luciano Supervielle, will be playing on November 29 at the Sol\u00eds Theatre at a Benefit concert for the Fundaci\u00f3n Gonzalo Rodr\u00edguez. Tickets are available at Tickantel and at the Sol\u00eds Theatre.<\/p>\n","protected":false},"author":1,"featured_media":37657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-37656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"acf":[],"jetpack_featured_media_url":"https:\/\/www.gonzalorodriguez.org\/wp-content\/uploads\/2025\/08\/a97a3dc8dd3c1ce7c305e497e9b01e5f6e4eff75.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/posts\/37656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/comments?post=37656"}],"version-history":[{"count":1,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/posts\/37656\/revisions"}],"predecessor-version":[{"id":38096,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/posts\/37656\/revisions\/38096"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/media\/37657"}],"wp:attachment":[{"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/media?parent=37656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/categories?post=37656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gonzalorodriguez.org\/en\/wp-json\/wp\/v2\/tags?post=37656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}